Pastel on Ampersand Pastelbord
I found this type of continuous field composition very difficult to organize into some structure. Which I guess is the point...why would I need to "organize" continual movement? My desire to classify everything into some visual order is a concept very hard for me to push aside when painting. And yet, I probably breathe the easiest, when seeing a subject too grand to classify: millions of leaves and dappled light in the forest, endless water in a seascape, thousands of wildflowers. In the presence of grandeur, the eyes rest and the spirit is quiet.