Beginning the new year, my satisfaction has waned with the ultra-real paintings...those in which all the information is given. Where else in life is all the information detailed perfectly in order for you to exactly see the situation, draw the right conclusions and make the right decisions, and predict the future responses?...almost never...Similarly to the ambiguity in life situations and the excitement of not always knowing the outcome, curiosity and intrigue is created through an abstract arrangement of elements...visual elements in a painting that allow for exploration and personal interpretation.
For me, however, there is a point where patience is lost to the vague ambiguity, as is the case with completely abstracted paintings. Visually, I prefer some representation, allowing for degrees of abstraction in shape, color and edges. I need a few answers, some plan...some information...but not everything.
Untitled (for now), Pastel on Ampersand Pastelbord, 16x20
And so, I find myself drawn to these pastel landscapes, responding to the watercolor foundation; those accidents that occur naturally when water and pigment react to the dry, pumiced surface of clay. Subjects still 'representative' but not quite fully developed, interpreted...standing just outside the rows of vines...seeing the vines, but not every leaf...appreciating the balance between the order and disorder of things...given just enough information to draw my own conclusions.